We are excited to introduce James Oldham, an award-winning cinematographer who will be joining the faculty for the MA in Screen & Film Production at Manchester. In this first instalment of a 4-part series highlighting our new lecturers, we sit down with James to discuss his impressive background in cinematography, his passion for teaching and mentoring the next generation of filmmakers, and his vision for the MA program.
Read more on our Manchester MA lecturers:
Can you tell us about your background and journey as a cinematographer, and how you became involved in teaching at MA level?
I have been actively pursuing a career in cinematography for the last 15 years. I would say that I’m still in happy pursuit of that dream, and living it out. I’ve taught students at MA level before, and I’m really looking forward to doing so again at Screen and Film School.
What inspired you to pursue a career in cinematography, and what particular genres or styles do you specialise in?
I’ve always loved sharing images that tell stories. Images have a unique way of moving a viewer. I was inspired, fundamentally, by my father to pursue cinematography. They always invested in me and told me I could do whatever I wanted to do in life, to follow my dream. So far, it’s worked out!
What do you find most rewarding about working with MA students?
I like the process of relearning material that I’ve often put on the shelf; knowledge that I might ordinarily take for granted. I see that it inspires a student to do something differently, and it makes me look at things in a new and fresh way. It’s always a rewarding process. We never really stop learning.
What unique opportunities does teaching at MA level offer both educators and students in the field?
Building relationships and networks that will outlast the academic year, and creating work of significance for individuals learning their craft.
How do you approach mentoring and guiding MA students through their creative projects and academic studies?
This has to be side by side, walking through the process of creating cinematic imagery together. Honing the student’s craft, taste, and eye is a necessary process.
How do you stay updated on industry trends and developments, and incorporate this knowledge into your teaching?
I visit the BSC expo every year. I also subscribe to the monthly British Cinematographer magazine, and daily incremental updates about industry improvements over time.
Can you discuss any research or creative projects you’re currently working on, and how they inform your teaching practise?
I’m currently attached to several short films, and a couple of long-form pieces. These projects inform my teaching practise, as it keeps me fresh and on my toes when it comes to the craft of cinematography, teaching practical tips and tricks with real-world applications.
What advice do you have for aspiring cinematographers who are considering pursuing a master’s degree in Screen and Film Production?
Simply: Go for it!
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